This year’s Met Gala theme, “Camp: Notes on Fashion,” was originally greeted with trepidation: Everyone wondered just how hard the A-listers would lean into the mood—or whether the target would prove too hard to hit.
Apparently there was no cause for alarm. Sure, interpretations of each outfit’s relative campiness will vary widely, but this pink carpet yielded something even better than a perfect record of accuracy, a sense of mischief, experimentation, and, most importantly, real joy.
It was hard to pick only 19 standout looks from the buffet of fun, but we did our best to give you a primer.
Most Eye-Catching: Janelle Monáe in Christian Siriano
That pun was too hard to resist. Janelle’s dress is an absolute visual feast, from the Mad Hatter’s menagerie on her head to the Picasso-esque skirt and peepers on her head and boob—the latter of which actually blinked its feathered lashes. If you want to see a master at work, watch Janelle Monáe wear this.
Best Self-Portrait: Tracee Ellis Ross in Moschino
We can’t tell if this is technically campy or just prop comedy, but who cares? Tracee seemed to have a ball arranging herself in different dramatic poses inside this askew frame that echoes the gilded ones hanging inside the Met itself, and she also looks amazing in it. And on a night when Anna Wintour reportedly bans selfies, it’s almost subversive that Tracee turned herself into one.
Most in Need of a Second Pass: Halsey in Prabal Gurung
This would’ve been aces at the actual superhero-themed gala from years ago; for a night honoring camp, it almost doesn’t go far enough in evoking Wonder Woman. We wonder if she and Prabal, after getting a look at the crowd, wished for a do-over to really embrace the theme instead of just lightly patting it.
Best Barbie: Kacey Musgraves in Moschino
In fairness, she may have been the only Barbie, although Nicki Minaj had echoes of the pink princess in her outfit also. But this is a pitch-perfect echo, from the expression on her face, to the hair and makeup, to the shape of the tiny sunglasses, to the hair dryer purse. It’s no surprise that Jeremy Scott would nail the details here, as camp has been his territory for so long that he practically, well, camps out there.
Best Hair: Tessa Thompson
Tessa showed up—in an otherwise unremarkable Chanel—with a pony that had been wrapped in latex and turned into an actual functional whip. It’s incredible and fun and mischievous, like a dominatrix Bo Peep.”
Most Committed to the Big Reveal: Lady Gaga in Brandon Maxwell
Leave it to Gaga to show up in a Russian nesting doll of a dress—four looks in one, each layered under the other, requiring a village (including designer Brandon Maxwell) to help her unveil each style. We knew Gaga wasn’t going to phone it in; we didn’t anticipate that she literally would take out a toy phone on the red carpet as part of her routine. The red carpet is often a performance for Gaga, and never more so than here. She was in her element.
Most Committed to Making an Entrance: Billy Porter in The Blonds
Billy watched Lady Gaga come in with six men holding her train, presumably said, “Hold my Champagne,” and climbed onto his golden litter. This spectacularly memorable experience—calling it “a look” undersells it—was apparently inspired by Elizabeth Taylor in Cleopatra, the Egyptian Sun God, and Cher, but people are going to be referencing him for years to come.
Easiest Joke on Twitter: Katy Perry in Moschino
Just a world of thanks to Katy for making this so uncomplicated for those of us who like to riff on celebrities. When she arrived in this literally electrified human chandelier getup, Twitter responded in kind: If you weren’t making a Lumière joke, you were making a pun about her look being “lit,” and, honestly, in these dark times, this was very relaxing. Thanks for serving up that softball, Katy—you’re a peach.
Dampest: Kim Kardashian in Mugler
Apparently, Mugler himself came out of retirement to design this for Kim and, look, the man knows what he’s doing: As intended, she does photograph as if she’s soaking wet, just as she is on the current cover of Vogue. From both a technical standpoint and that of corporate synergy—Kim’s real strength—it’s impressive.
Most Surprisingly Elton John-y: Gigi Hadid in Michael Kors
Someone forgot to give Gigi a giant pair of ridiculous sunglasses, but other than that, this is pretty perfect. Sir Elton is probably proud—and maybe a little jealous. That coat is amazing. You know he’s calling Michael Kors to see if he can get one for himself.
Best Disney Villain: Cardi B in Thom Browne
Cardi could barely walk up the stairs in this gown—it was like she was draped in a weighted blanket, and she definitely almost fell over at least once—but who cares about personal mobility when you’re busy looking like a glamorous cartoon villain, destined to be a favorite of dramatic little kids everywhere?
Best Salute to Rainbow Brite: Cara Delevingne in Dior
This is joyous, fun, and making us hungry; she looks like a human salute to hard candy.
Best Arts and Crafts: Elle Fanning in Miu Miu
We’ve never seen Elle have this much fun on the red carpet. Maybe she needs to lean into a candy-coated ’70s salute to charm bracelets more often. We’re not sure how she’s going to manage everyday life with a dangly charm attached to each fingernail, but this night was not one to fuss about practicalities.
Best WOW from Someone Totally Unexpected: Michael Urie in Christian Siriano
Can we all just take a moment and applaud Michael Urie—whom you probably remember from Ugly Betty—for freaking going for it? This is some Victor/Victoria realness (look it up, youngsters!) and it’s major.
Best Reminder That Lupita Is Really Good at This: Lupita Nyong’o in Versace
Speaking of major, this look on Lupita is bright and brilliant and beautiful—rather like the lady herself.
Best Showgirl: Céline Dion in Oscar de la Renta
s to her mega-successful residencies (and her actual residency) there, would come as an homage to what Sin City does best. And yet…is it too late to add some scenes to Game of Thrones? Because please, just close your eyes and imagine this version of Céline Dion vs. Cersei vs. Dany for the Iron Throne. We know for whom we’d bend the knee.
Most Confusingly Amazing: Ezra Miller in Burberry
Miller, who designed this in conjunction with Riccardo Tisci, described it to Garage as having dark connotations: “The celebration of camp is almost funereal…It’s almost like it dies as it walks in the room. But I think it consumes the other as well. You know? I think it’s like fire and oxygen.” Do we get it? No. Do we care? No. This is spooky genius, and we applaud that he went all-in for his first ever Met Gala. The only concern: How can he possibly top this?
Most Personal: Zendaya in Tommy Hilfiger
The story of Zendaya’s light-up Cinderella gown is one of her own transformation, and as such, it was surprisingly moving. She was accompanied by stylist Law Roach, playing the fairy godmother who—in life as in art—transformed her from a Disney Channel star into a grown-up, here with help from a dry-ice wand (and his own superb styling mojo). She even lost a “glass” slipper on the pink carpet as she walked up the stairs. You could argue that this look might be slightly more on theme for Heidi Klum’s annual Halloween party, but hey, the gala is at the Met’s Costume Institute, so we’re calling it a win anyway.
Most Perfectly-Timed Ascent: Lizzo in Marc Jacobs
Lizzo rocketed to fame, and to her first Met Gala, in a year when the theme was perfect for her aesthetic. We could as easily see her rocking this onstage as up the Met stairs. It was smart of Marc to bring her—and frankly, amazing for her to navigate this spotlight in something that makes her look like the powerhouse diva she is.